Hey Blog! We are now moving forward from the pre-portfolio stage to transitioning to full work on our portfolios. I'm really looking forward to what's next, it feels like all year has been building up towards this moment, and there's so many things I've learned in this class that I'm excited to finally put together into the project. I've learned so much new about sound, editing techniques, shot types, mise-en scene elements, and how they all work towards creating a cohesive piece of media, I look forward to finally be moving from these smaller projects that have tackled specific parts of the production process, into a full project where I can express my true vision.
In class
on Tuesday, we analyzed different styles of film openings, to try to
find which one would fit our production style best. While I don't
completely know yet what my production will fully consist of yet, a few
types caught my attention.
Background
The
background opening style, has become popularized in dystopia, and other
types of stories where shocking situations and events are central to
the production. For instance, in Children of Men, one of the film
openings we analyzed in class, a dystopian story where children are for
some reason no longer being born. I found it super interesting how they
displayed this with, garbage in the shots and police being seen
everywhere, and suddenly a shocking explosion. Through just the mise-en
scene and events in these first two minutes, so many elements were
revealed into what the piece would be.
Children of Men (2006)
Conflict
Stories
that draw me, are stories that imagine the world in a new way. In a
similar way to background, conflict allows one to explore an innovative
story. By immediately setting the conflict front and center, these types
of openings establish what the idea that the piece will revolve around.
This is shown in a move such as Jaws (1975), another excerpt we viewed
in class, where from the first 2 minutes, after a character dies to the
shark, we are exposed to the idea that the film will be based on
character vs environment, highlighting the relationship between the
characters and the shark.
Jaws (1975)
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